Posts Tagged ‘Jean Baudrillard’

Ending a cycle only to start a cycle

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BOOKS BOUGHT

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51J88NvSjmL._SL160_PIsitb-sticker-arrow-dp,TopRight,12,-18_SH30_OU01_AA160_[1]41VaxX7N7OL._SL160_PIsitb-sticker-arrow-dp,TopRight,12,-18_SH30_OU01_AA160_[1]61sRGVxrP9L._SL160_PIsitb-sticker-arrow-dp,TopRight,12,-18_SH30_OU01_AA160_[1]

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BOOKS READ

Simulations  by Jean Baudrillard

Classical English Rhetoric by Ward Farnsworth

Selected Poems of Thomas Hardy (Penguin Classics)

It’s not been a good reading time.  I’m going through things pretty slowly.  And I’ve given up trying to write during the day.  I’m too stressed out.  The writing bug stings at night.  After 8 p.m., a switch goes off in my head and I’m suddenly reading to the exclusion of all else or writing to the exclusion of all else.  I’m going to stop fighting it and arrange my priorities around the fact that night time is the write time.

There is a mildly Gallic flavor to my current crop of pulp.

Graduate school has really expanded my reading repertoire.  If you read my post on Barthes “The Pleasure of the Text”, then you will know my feelings on swampy translations of French philosophical prose.  However, Baudrillard’s collection of translated notes that make up Simulations has qualities that TPoTT does not, specifically, continuity, organization, essay format, and better sentence structure.  You get more out of each paragraph without a lot of apologizing about how no equivalent phrases exist in English that would do justice to French subtleties.  The down side is that the phrasing is often clunky.  The information is solid gold, but it’s raw, rough gold.

Object Lessons probably has the most subtitles of any book that I’ve ever seen. “Object Lessons” – The PARIS REVIEW Presents “The Art of The Short Story.”

Another gift from the Academia fairies is reading about rhetoric.  Those Greeks had a word for EVERYTHING!  When you overuse conjunctions, there’s a word for that.  When you leave out conjunctions, there’s a word for that.  When you repeat words, there’s a word for that.  When you repeat phrases, there’s a DIFFERENT word for that.  This pattern of repetition that I’m doing here – there’s a word for that!  So, so bitchin’ rhetoric!

I have high hopes for Stylish Academic Writing. Wisely, Sword points out in her book that “[a]ny of the ‘smart sentencing’ principles outlined in this chapter can, of course, be temporarily suspended for rhetorical effect.” (p. 59.)

My graduate thesis is on Thomas Hardy’s poetry, and I’ve been working with poems from the Penguin collection.  Hardy poetry is wonderfully easy to read, and has great depth in spite of the light lyric feel of his work.  No wonder T. S. Eliot was annoyed by him.  It was like Salieri and Mozart.

Bowerstock’s From Gibbon to Auden: Essays on the Classical Tradition.  The cover made me buy it.  Also, I like reading essays.  (…said no teacher ever! LOL!)  However, I feel like I’ve been played.  I should know better than to buy these professional collections.  I want to get published.  Maybe I should just gather a handful of essays, slap a cute title on it and declare myself a high-end scholar.  It’s such a racket.  It’s like when you buy those romance story omnibuses and one story is awesome.  One story is so-so.  The rest are crap.  But you paid for five stories and only one of them gives you your money’s worth.  I hope this book won’t be like that. 

 

Anthologies – A Good Way to Sell Crap Stories

Button 3 (lefty/skinny)

Back to Nature–Books Whirlybinge

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My last post was in September.  I had just started graduate school, and since then, it’s been a “mad coupla months”!  Reading and writing for every book, for quizzes and tests. Abstracts, research papers, annotations. I love it!  Writing for school is kinda chill.  It satisfies a hunger that can’t be fed by anything material.  All the reading and writing works like Slick50 in my brain.  New words and ideas are firing sparks, making new connections – synapses snapping all day long in a jazzy funk rhythm that knows no time and no boundaries.  My mind is so active and firing on all pistons…

But it’s Christmas holidays now – what some people call “winter” break.  Qoi?  Brutha, pleez!  Down in South Texas, the kindest thing I can say is that it’s NOT 100 degrees F. 

So what’s my point? Where, even?  Well, I was writing an informal essay for every novel, interpreting Middle English, analyzing, synthesizing, assessing – the whole Bloom’s.  Writing for the blog seemed redundant.  Also, I wondered whether writing about the same book here and for class might create a conflict.  I knew in my heart, there would be a significant slip differential between how the work was represented for academic purposes and how I felt about it personally.  Case in point: PATTERN RECOGNITION by William Gibson.  The protagonist Cayce is ridiculously hip and cool in her anti-logo fetish, but the novel itself is well-boring. Snail’s pace. Grim, gray other-world that’s a cross between Graham Greene and Ray Bradbury, except not interesting.  But through academic eyes, it’s a disturbingly visionary story.  Cayce talks about people she doesn’t ever see, chats online with people she never sees but once or twice. Her life has almost nothing to do with human interaction and a lot to do with cyber-communication.  Are we headed there or are we already there?  Geddit?

So I let the blog go for the time-being.  But now that it’s the hols, let the variety begin!

BOOKS BOUGHT

Saturnalia, Volume I: Books 1-2 (Loeb Classical Library)[1] Lucian, Vol. 7: Dialogues of the Dead / Dialogues of the Sea-Gods / Dialogues of the Gods / Dialogues of the Courtesans (Loeb Classical Library, No. 4[2] Genealogy of the Pagan Gods, Volume 1: Books I-V (I Tatti Renaissance Library)[3]
Juvenal and Persius (Loeb Classical Library)[4] Boccaccio, Beauvau and Chaucer: Troilus and Criseyde : Four Perspectives on Influence[5] Days of Reading (Penguin Great Ideas)[6]
One Continuous Mistake : Four Noble Truths for Writers[7] How to Give Effective Feedback to Your Students[8] The Consolation of Philosophy (Norton Critical Editions)[9]

 

[1]  I really enjoyed Somnium Scipionis which led me to pick up this SATURNALIA of Macrobius.   LINK to good online overview of this work.  I also have this Loeb by Cicero – De Officiis (Walter Miller, trans.).  LINK to online overview.

[2]  Effing Cool, Irresistible titles!

Product Details[3]  Again – Effing Cool Title. It’s early days but it’s sounding like a crosMs between Bullfinch’sMythology and Ovid’s Metamorpheses.  Loving it! (LINK to online version)  (Who the hell needs Effing SparkNotes for Bullfinch’s Mythology???)

 

[4]  My Medieval Lit prof talked about these satires and I had a Pavlovian reaction to the word “satire”.  That being, ears perk up, blood flows a little faster, I start thinking of clever wordplay, double-entendres, taking the piss, etc.  I shan’t rule out a touch of salivating. (UofMichigan Collection)  I finished reading the six Juvenal satires and, while there was a strong odor of whingeing, the translation was accomplished with a good ear for standup comedy.  Very Lewis Black in nature.

image[5]  4 Perspectives on Troilus and Criseyde.  Pure intellectual spelunking. Highbrow fun.  It reads like the author’s doctoral dissertation, though. What a wonderful advantage to be able to do research in more than one language.  For all that English is wonderfully comprehensive, I now feel incomplete that I can’t read German or Italian well enough (yet) to do more thorough research in Medieval literature. (LINK to online version) My favorite version of T&C is George Phillip Krapp’s rendition in verse.  It’s out of print, but I managed to find a copy through www.ebay.com

[6]   Ahhh, Proust. You most nerdy of nerds. Is there a French word for “nerd”?  Do the French even need one?  You might think not, but then again, Franck Ribery.  C’est une tare’.  Une grosse dinde. 

Product Details[7]  I actually ordered this book in 2009 on the recommendation of my student teacher that semester.  I lent it to a friend because I started reading the other book that ordered with it.  Haven’t seen it since but it’s cool.  That’s a good sign, I think. Beautiful cover design. Very easy to read. It’s kind of like A Writing Life by Annie Dillard.  It just has that kind of “become one with the pencil” kind of vibe.  It’s actually a great apologia for writing, as is Dillard’s book.

[8]  Not here yet

[9] Not here yet.

BOOKS READ

A Writing Life (Annie Dillard)

One Continuous Mistake

Satires of Juvenal and Persius

Navarro’s Promise  (Lora Leigh)

Geneology of The Pagan Gods

Pattern Recognition (William Gibson)

“Simulacra and Simulations” by Jean Baudrillard (Chapter 7 of Baudrillard’s Selected Writings, Mark Poster, ed.)

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